Jaja, igual el de nada era por tu post de antes. Cabio al final el de Bevis Frond?.

Esta genial el de Bevis Frond, ya lo escuche unas cuantas veces.

De nuevo, gracias.

Hubiera jurado que estaba en topico de los que estamos escuchando.

Drogon.

He no.


Circus Maximus with Jerry Jeff Walker..



Revoltijo de guitarras eléctricas folky flasheras y líricas eclécticas.
Participacion especial de Alfredo Caseros en sus epocas hippies (arriba a la izq.)

http://rapidshare.de/files/13575004/Armaggedon_Same.rar.html


Entre los grupos que se decantaban por fabricar un rock crudo y guitarrero, sin tantas complejidades pero de gran energía, estaban los Armaggedon. Ellos solo editaron este disco en 1970, algo que se hace incomprensible viendo la altísima calidad del resultado. Pero así es como fué y como ocurrió también a tantos y tantos grupos buenos de los 70 que solo editaron un trabajo ya sea por falta de ventas o por otros vaivenes de la vida.

Armaggedon estaba formado por Frank Diez a la guitarra solista y a la voz, éste tocaría despues en muchas otras bandas alemanas de rock en los 70; Manfred Galatik al piano eléctrico, bajo y voces; Michel Nümberg al bajo y guitarra rítmica y Jürgen Lorenzen a la percusión. Éste es un disco muy esquivo, ya que cruza en ocasiones la linea entre el hard rock, el hard blues y la hard psicodelia. Todos los músicos son muy buenos pero Frank Diez demuestra una simbiosis con su instrumento que es asombrosa y un gusto más que de agradecer por llegar a los extremos de distorsión. La influencia anglosajona es más que evidente, sobretodo la de Hendrix o el Jeff Beck más ácido.

Abre el disco un tema fabuloso como “Round”, algo inolvidable. Lo primero que llama la atención es (además de la guitarra por supuesto) es la utilización del piano eléctrico en la base rítmica junto al bajo, algo que da al tema mucha profundidad. La guitarra abre de una forma absolutamente salvaje y la voz de Diez suena extrañamente moderna, con una melodía de voz muy original para la época. Buenos cambios de ritmo y mucha energía para iniciar este artefacto sonoro de alto voltaje. “Open” segundo corte y una absoluta obra maestra. Es un tema lento que va deslizándose entre la forma de cantar de Diez, un sutil piano eléctrico, una percusión perfecta y una guitarra maravillosa que crea atmósferas cercanas a la psicodelia. Un ejemplo de como se puede sonar enérgico sin dejar de ser sutil. “Oh man” , otra maravilla, es un blues tremendo sembrado de solos colosales y que deja ver una impresionante conjunción entre las dos guitarras. El ritmo es absolutamente contagioso. “Rice Pudding” es una de las dos versiones del disco, en esta ocasiones del “Beck-Ola” de Jeff Beck, que es recreada de una forma salvaje y sin demasiados miramientos. Gran uso del piano eléctrico y unos solos que vuelven a ser antológicos. “People Talking”, otro tema irresistible con nuevamente una base de blues que se transforma en un riff puramente setentero. Una gran demostración de hard blues que les acerca por momentos a cosas como Taste. “Better you, better than me”, es la última canción, otra versión, esta vez de los Spooky Tooth. Otro blues mutante que se hace de pronto hard rock, con un solo final que es el remate para esta obra maestra.

En total, poco más de media hora de música imprescindible para los amantes del mejor hard rock ácido y extremadamente guitarrero. Un disco de esos que se te meten en la cabeza y ya no salen.

Epa!, ahi lo estoy bajando, gracias. Habia leido por ahi algo de este grupo pero
no habia escuchado el disco.

Despues decime que te parecio, a mi me encanto el disco.

Gracias, puto.

Ayer escuche un par de temitas y la rompen!, mas tarde le voy a dar una
escuchada con mas atencion y sin apuros.

Salen 2:



Titus Groan

Blues progresivo britanico esquizofrenico (?). Algo entre la oscuridad de King
Crimson y Tangerine Dream, y las excentricidades de Yes y Jethro Tull.. (y)






Vol. 2 de Cream.

El disco en vivo mas improvisado de Cream, puro jams furiosos!, la version
larga de Steppin' Out del final es memorable.

Y como dijo un amigo:

"Eric Clapton fue asesinado en 1970 por la CIA.
Le sustituyeron poniendo un capullo en su lugar."

Amen.

BUENISIMO ESE.

Scary Monsters (and super creeps) por David Bowie y Frank Black:

http://s60.yousendit.com/d.aspx?id=1EBWBLB...J420J5PDJJMD3U5

I'm Waiting for the man (en vivo, como el de arriba) - Lou Reed y David Bowie

http://s59.yousendit.com/d.aspx?id=2WOWAEK...5L2B1Y8SGR0U10U

Fabulaaaas!!, mucha polenta loca!.

Sale uno paro los zapperos.

Led Zeppelin - Cabala (CD1-2) (Bootleg) (@256)





Size: 275 MB
Bitrade: 256
mp3

CD1

1. I’m Confused – Was one of the first numbers Led Zeppelin added to their set after beginning their career as the New Yardbirds. They soon changed the name of the song to “Dazed and Confused”. This version was recorded in 1968 at the Anderson Theater for one of Pages final performances with The Yardbirds.

2. Train Kept A Rollin’ – Was another song Zeppelin played during their first American Tour in 1969. The track was recorded live in New York in 1968 with Jimmy Page and The Yardbirds.

3. She Just Satisfies – Is the first solo release from James Patrick Page. Originally released in 1965 under the name of Jimmy Page, this record is now incredibly scarce. The song was written and produced by Page. The track features Jimmy on all the instruments and lead vocals.

4. Keep Movin’ – An R&B instrumental is the B-side to 21-year old Jimmy Page’s first solo release. The single was issued only in England on Fontana Records.

5. You Better Run – Is the first recording featuring a 19-year old Robert Anthony Plant. The single was released in 1966 and issued under the name of Plant’s group Listen. The track is a cover version of a Rascals tune which was later recorded by Pat Benatar.

6. Everybody’s Gonna Say – Is the B-side to Robert Plant’s first solo single. The band originally called themselves The Tennessee Teens, but changed their name to Listen. This is the first track crediting Robert Plant as songwriter.

7. Our Song – Was Robert Plant’s first solo single issued under his own name. The single was released only in England in mid-1967.

8. Long Time Coming – Was the third and final Robert Plant solo release before joining Led Zeppelin. The track was recorded by The Band of Joy in late-1967. The group included a 19-year old drummer named John Henry Bonham.

9. I’ve Got A Secret – Is the B-side to the Band of Joy’s only recording. This track also features John “Bonzo” Bonham on drums.

10. Goodnight Sweet Josephine – Was the A-side to the Yardbirds final recording with Page. The song has never appeared on any Yardbirds album and features Jimmy’s first experiments with a phased guitar.

11. Think About It – Is the B-side to The Yardbirds last single. Released in 1968, the track was never included on any album and is quite scarce. If you listen to Page’s guitar solo, you’ll hear where he got the idea for the middle of “Dazed and Confused”.

12. Hey Hey What Can I Do – Is the only track Led Zeppelin released as a single, but never included on any of their LP’s. The song was originally released as a B-side to “The Immigrant Song”.

13. Psychodasies – Is one of three Yardbirds tracks featuring Jeff Beck and Jimmy Page on guitars. This track has never been released in America, or included on any Yardbirds album.

14. Happenings Ten Years Times Ago – Was the first Yardbirds track to feature both Beck and Page on dual lead guitar.

15. Stroll On – Was the only Yardbirds track specifically recorded for a film. The song was intended for the 1967 movie “Blow Up”. The cut is basically “Train Kept A Rollin’” with different lyrics. The tune includes both Beck and Page on guitars.

16. My Babe Left Me – Is one of the earliest recording sessions featuring Jimmy Page on guitar. The single written by Arthur Cruddop is a remake of an Elvis Presley Sun records classic. The track was recorded in early 1963 with Dave Berry and the Cruisers.

17. A Certain Girl – Recorded by The First Gear features Page on guitar in 1964. The tune was popular with the British groups of the era including The Yardbirds, who also recorded it with Eric Clapton.

18. Leave My Kitten Alone – Is the B-side to “A Certain Girl”. It’s an outstanding British pop record. In 1964 the song was recorded by several British bands including the Beatles. The session was produced by Shel Talmy who also produced records for The Kinks and The Who.

19. Surprise Surprise – Was recorded by Page in 1965. The record was released by Lulu and The Luvvers. The track is a cover version of an often overlooked Rolling Stones number. Lulu later went on to fame as a pop singer with songs like “To Sir With Love”, but she began her career as an R&B singer with Page backing her up on guitar. (Godwin states that Lulu is not performing this version)

20. How Do You Feel – Was one of the final recordings featuring Page as a session guitarist. Recorded in 1966 by The Primitives, this track captures the true raw sound and feel of British rock bands of the era.

21. Jim’s Blues – Was released on an album by PJ Proby “Three Week Hero”. It was the first record including all the members of Led Zeppelin. The album was recorded several months before “Led Zeppelin I”.

22. Traveling Riverside Blues – Was originally recorded for “Led Zeppelin II”. For some unknown reason, the track remained an unreleased outtake for over twelve years.

23. You Shook Me – no details given24. The Girl I Love – no details given (ed: later appeared on official release “BBC Sessions” as “The Girl I Love She Got Long Black Wavy Hair”)
(Tracks 22-24 London June 16, 1969)

CD2

Recorded live at the BBC Studios, London during 1969 session (London June 16, 1969)
1. Whole Lotta Love
2. Something Else

Recorded live at the Fillmore West, Jan. 9, 1969
3. You Can’t Judge a Book By the Cover (Killing Floor)
4. Babe I’m Gonna Leave You
5. Pat’s Delight

Recorded live at The Texas International Pop Festival, Aug. 31, 1969
6. How Many More Times Jam
7. Communication Breakdown

Recorded live at Newport Jazz Festival, Newport, Rhode Island, USA, July 6, 1969
(Actual source Fillmore West, April 27, 1969)
8. As Long As I Have You Jam

Parte I
Parte II
Parte III

Password: ChrisGoesRock

Que se aproveche.

Aca les dejo un tema de Tweaker del que hablamos con Hache.

Ese que pensamos que era Tool, pero no, es Tweaker

Tweaker- Vicarious (Doom 3 theme)